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In Which Our Hero is an Idiot

  • Jul. 23rd, 2008 at 1:21 PM
First off, a quick announcement. [info]will_couvillier is working on recruiting a few writers for James Gunn's online short story workshop. Information is here, and the class syllabus is here. The class runs about eight weeks, and the cost is $200.

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So anyway, a few weeks back an editor e-mailed me asking if I would submit a story to a project she was working on. Invitations like this are always flattering, and I did have a story I thought would work, a reprint of a fun zombie tale I wrote a while back. So I sent the story off. She liked it, and things were good. I patted myself on the back, and went about my business.

Today, for some reason, I found myself thinking about that story ... and I realized it was one of the stories I had posted at Fictionwise. And Fictionwise asks for exclusive electronic rights. And the project I had sent the story to was an electronic publication.

Son of a crap!

Part of the reason I messed this up is because I had already reviewed the Fictionwise contracts a while back, since I was also including this story in my German collection. There was no problem there (with a print, foreign language publication), so obviously I could reprint it here as well (in an English language electronic publication). Um ... no, that's not how it works. Bad brain! I could probably blame it on deadline stress too, but in the end, it doesn't matter. I screwed up, and that's that.

I e-mailed the editor as soon as I realized what I had done, and explained that I was a shmuck. No contracts have been signed or anything like that, so technically I hadn't yet broken my Fictionwise contract. No, the only thing I had done was to make an editor's job harder, and to make myself look like an idiot. I apologized, and asked if she would be interested in an alternate story, or if there was anything else I could do.

Fortunately, the editor was very understanding. I've got another reprint in mind to send her, which I'll do later tonight -- once I've double- and triple-checked the contracts on that one.

Why am I sharing this? I'm not sure, exactly. Maybe as a reminder to read your contracts. Maybe to show that we all screw up occasionally, and it's not the end of the world. Or maybe just to demonstrate that most editors are decent, understanding people.

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Nine days until mermaid deadline!

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(89.9%)

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Nick Kaufmann sums it up better than I ever could:

"Tonight is the Shirley Jackson Awards benefit reading at the KGB Bar! Starts at 7 PM, $5 door charge (that's the benefit part) and probably a delicious Chinese dinner afterward for those who can stick around. There is also the rumor of homemade cookies, but if they're baked by Merricat Blackwood, you may want to avoid them.

The KGB Bar, not sane, stands by itself above the Crane Theater, holding the smell of spilled beer in; it has stood so for fifteen years and might stand for fifteen more. I will be there tonight, so that whatever walks there won't have to walk alone."




I'll be hosting our 9 readers, all of whom will be reading from the Jackson oeuvre. It's possible that members of her family will be attending so please behave ;-)

Over and over again

  • Jul. 23rd, 2008 at 12:45 PM
I'll admit it; sometimes I really astound myself with my own density. How many times have you read, in this very space, that I got carried away with a plotline and had to rip out whole chunks just to rein it back in again? Hmm?? I haven't the patience with myself to go back and count.

I will also admit, however, that I catch myself earlier and earlier. This time, it was only a chapter and a half before I said to myself, "Again? Seriously, Terri! Stop overcomplicating this!" So I did. More darlings got killed this morning. This very minor plotline meant to enhance the major one is back on track. Sure, I lost the whole coolness of half-sisters and old betrayals and silent wars no one knows are being waged--but that's not this story.

It is comforting to realize I'm getting better at recognizing this pechant I have, even if I keep doing it. It's not quite a Doctrow 'over-weirding the pudding,' but it is close kin; more like an 'overstocking the pantry,' I suppose. And, I suppose, having an active imagination that can come up with all these intrigues and substories and details isn't a BAD thing for a writer to have. Like any wild thing, it needs a calm, steadying hand now and again to keep it from imploding--or making a real mess of things.

your death sits in that cage and hears you

  • Jul. 23rd, 2008 at 12:25 PM
I am amusing myself by making to-do lists. This is generally a sign that I am not actually yet ready to begin work on any of these projects, but I have recovered enough from the post-novella ennui (the bits of brain I cut off to put in Seven for a Secret and "The Red in the Sky is Our Blood" have not yet grown back, green and bushy.) to feel as if I ought to be working. Still, yesterday was productively spent on book sale stuff, and today, so far, has been much the same. I suspect that probably counts as enough worklike stuff for thse days, though I am going to take a crack at fixing that poem tonight.

How weird, to be working on a poem again after all these years.

I wonder if it's catching.


2008

Revise the mopy Tam Lin poem. Hey, I could do that today and it would be like work.
Revise "The Red in the Sky is Our Blood"
Revise Bone and Jewel Creatures
Write "The Tricks of London"
Write "Mongoose" with [info]truepenny (started)
Finish Chill
Write "Smile" (Bone Garden) (started)
Write "Snow Dragons"
Write "The Horrid Glory of its Wings"
Write S2 Shadow Unit episodes (looks like 2.5 right now, unless stuff changes.)


2009

Rewrite The Sea thy Mistress
Shadow Unit S3
Write Grail

Turns out the episode of Superspiff and the Toothpick Kid early yesterday morning had some...editing issues in it.  Mostly you get to hear me say something like bleewagjalblah (which is the sound I make after I've inserted my foot in my mouth), reread a sentence, then rewrite and read the rewritten sentence.  So I pulled it this morning, and will re-post it tonight.  Sorry!

On the bright side, I got the podcast promo script written and sent out.  So, that's a plus.  Also, going to knock out some more Fallen Horizon today. 

Trifecta again again

  • Jul. 23rd, 2008 at 9:48 AM
Writing

Worked for about 2.5 hrs. About 1400 words on a flash fic, which I pared down to 750, then expanded back to 800ish. Need to keep paring, obviously.

What I have is a good start, and a problem. I feel obliged to mention certain things because of the subject matter I've chosen:

A certain Tarot card + the rape of Livinia from Titus Andronicus

So I want to leave most of the tarot card in. And I want to leave Livinia's hands in. But as of now, they feel out of kilter with the rest of the scene and if I didn't feel married to them they would have been cut long ago. Since the subject matter I'm working with is esoteric and dark, this feels very dangerous. No one is likely to know what I'm doing in the first place, and if I take too many markers down then no one will know for sure.

But, really, most likely no one's going to notice it anyway. It's just a flash piece. They're like popcorn. Quickly eaten and soon forgotten. And I get to worry about all of this, and there's no guarantee it'll even get published or that it'll be what the editor is looking for.

Yes, I am torn.
Torn like an old sweater.


Guitar

Practiced all my chords on the Yamaha from the yard sale. It's been a week, and the D and G strings are about half a note out of tune. That's not bad for a guitar, but I'm used to my Ephiphone and the lovely Applause, which still show no signs of losing their tuning.

That said, the Yamaha has a wonderful sound. A vibrato almost like an opera singer. Rich and deep. I love it in its own way.


Kung Fu

Was a little lazy last night. Showed up late to first class. Did stretching.

Reveiwed Shaolin Staff. Getting smoother at this.

Started learning Xingyi Dao (Broadsword). Metal #1 and #2, Wood #1 and #2, and Earth are all similar to Xingyi Jian (Straight Sword), so we learned all of them. That leaves Fire and Water left, and then the 5-element linking form. Wow, Dao will be fast to learn if we keep this up.

Skipped Shaolin fist class. Wushu just doesn't do it for me. Sometimes I just flake out on it.

Taught Bagua, but with Jia there to watch the class and check everyone's posture. Yay! Started with some quick warmups. Went right into the Basic Eight. We have two new folks, so I only taught Fierce Tiger Coming Down the Mountain, Huge Roc Spreads Wings, and Lion Opens Mouth. We also did combat applications for all of them. This ran a little longer than I intended, so we only managed to fit in 5 of the 8 Liang Bagua Zhan Zhuang (Standing Stakes), and we didn't get to do any calisthenics at all.

Adapting my fiction for puppetry

  • Jul. 23rd, 2008 at 11:12 AM

At Readercon, someone asked me if I had ever made a puppet show from one of my stories.  Two.  Sort of.  Beauty Will Come is something I did for Pixel-Stained Technopeasant day last year and is not really a puppet show, though it might look like one for a moment.

I used toy theater technique to create moving illustrations for an audio story.  If it were a true puppet show, I’d have cut the narration and shown with action rather than words.  Still, it’s the closest thing I’ve got recorded.

I’ve written for stage, but always adapting someone else’s work.  My only original script was for Willamette Radio Workshop’s Murder of Crows.  Huh. I just remembered that Shades of Milk and Honey started as a radio script for a serial.

T-rexThe other puppet show from my fiction is a monologue by a talking dinosaur, which was a short I wrote in first person, so it was kind of a no brainer about adapting it for stage. Most of my short fiction is ill-suited to puppetry either because it’s an all human cast or because there are too many scenic locations to work for stage. Hm… Evil Robot Monkey and Clockwork Chickadee are the only ones that I can think of that might make the transition. Everything else? Too many people and very little reason to need puppets.

Comments? -- Link

What are you favorite bad 80s SF films?

  • Jul. 23rd, 2008 at 8:43 AM

What are some of you favorite 1980s bad genre films?  Examples might include Weird Science, Willow, Krull, Flash Gordon... I leave it up to the individual to define “bad” and “favorite.”    I’m making a list, but I want to make sure I don’t forget any.  Please help, Obi won Livejournal. You’re my only hope.

Originally published at JeremiahTolbert.com. You can comment here or there.

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Kathryn Ptacek is donating two subscriptions to The Gila Queen (this item will be raffled off twice). The Gila Queen is a market newsletter for writers and artists, and each issue contains publishing news, anthologies, regular markets, a theme market section, sf/f/h, contests, articles, and a whole lot more.

The Gila Queen, edited by writer/editor Kathryn Ptacek, just celebrated its 150th issue and has been published–first in print and now as an E-mail newsletter–for twenty years.

Normally, subscriptions are 20 issues and cost $20

and Diana Gill of HarperCollins is donating a signed, limited edition galley of Kim Harrison’s THE OUTLAW DEMON WAILS (#99 of 400).

Taekwondo Tournament Results

  • Jul. 23rd, 2008 at 9:30 AM
Audrey and Eli competed in a taekwondo tournament on Saturday, a regional affair held at the local high school. It was a mere five minutes from the house, so they were rooted for by grandparents on both sides, as well as Sister Michaela who was traveling in from Wisconsin.

Their school only competes against other schools in their franchise. I find that kinda weird and stagnant, but that's a conversation for another time. Five schools attended the tournament: Westerville, Hilliard, Fishers (Indiana), Lexington, and Northern Kentucky. Audrey's and Eli's school was the host school and rented Westerville Central High School for the event.

Tournaments have two events, forms (sets of predefined moves) and sparring. Audrey has been working on the brown belt form for four months now, so she has it down. Eli however has only been doing his red belt form for a few weeks. As expected, Audrey did well, placing fourth in her group for forms. She ended up tied for third, but when she did the form a second time, she did worse while the other girl did much better. She didn't give herself enough room and ended up running into the judges. Eli didn't place at all with the forms; he messed it up on the first try, took a turn the wrong way, and so had to take a 1 point deduction for redoing it.

In sparring, they divide everyone into six person single elimination brackets. Two people get byes, and the four others fight it out to see who advances. Audrey had to fight in the first round, and won. She then lost in her second round, so she had to fight for third. She won that too, taking the bronze metal. Eli had a bye in his first round, but took on the eventual bracket winner in the second round. The boy had a weird style of lifting his leg in a side kick and leaving it there; no one knew what to do about it. Eli accidentally kicked the boy square in the face, causing a few minutes break while he was attended to. I think Eli took it as hard as the kid did. In his battle for third place, Eli lost to a boy he sparred and beat all the time in class. Oh, well. They both did well and everyone had a great time.

This may be the last tournament for them for a while. The next few are out of state.

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Daily Photo: Camouflage

  • Jul. 23rd, 2008 at 7:39 AM

Daily Photo: Camouflage

Originally published at JeremiahTolbert.com. You can comment here or there.

Rape of a nation

  • Jul. 23rd, 2008 at 6:14 AM
"Corporations are not in the business of news. They hate news, real news. Real news is not convenient to their rape of the nation.

"Real news makes people ask questions. They prefer to close the prying eyes of reporters. They prefer to transform news into another form of mindless amusement and entertainment.

"A democracy survives when its citizens have access to trustworthy and impartial sources of information, when it can discern lies from truth. Take this away and a democracy dies.

"The fusion of news and entertainment, the rise of a class of celebrity journalists on television who define reporting by their access to the famous and the powerful, the retreat by many readers into the ideological ghettos of the Internet and the ruthless drive by corporations to destroy the traditional news business are leaving us deaf, dumb and blind.


CHRIS HEDGES on truthdig.com

And I thought things were bad when I left the newsroom more than 20 years ago.
Heads-up.

Janis Ian is going to be on All Things Considered on NPR tonight, for those of you who are fans.

The Threshold of Doom?

  • Jul. 23rd, 2008 at 1:38 PM
 24 June
I made sure I had photos and drawings of the stratigraphy beneath the stones. We had cut up to the threshold block and left a sheer drop here as part of the temple cut and now I was going to destroy part of it, so it had to be documented. It didn’t take too long and then I was ready.

Usually with big stones like this, the workers bring in sledgehammers and break it up to take away in pieces, but on top of this precipice that wasn't going to work. I called Fuad over to make sure the workers understood what I wanted and to ask them if it could be done safely. Fuad’s English is good and Arabic is his native language, so if things get in a crunch, I use him as a translator. The workers said it could be done; I’d expected them to say that, but I wanted to emphasize that there should be no showboating and that we had to do this carefully and safely. They cleared all the soils from around the block and cut a bit from the walls to make sure it was ready to be moved. Then they shifted part of the stone and brought in ropes to get underneath it. Then they shifted it again and finally got the ropes beneath.

As they pulled, the stone ground upwards, toward the higher block to the south. It took four people pulling on the ropes and Ismaien came to help as well. He is a bit more flambouyant than the others and almost caused the whole thing to topple, but but the more level-headed Hassan stopped him and saved the day. Eventually they were able to pull the stone up and out of the way. It had taken a lot of time but we got the block moved safely and I could have them start to cut down into the strata below.

Moving the double block of the lower threshold was comparatively easy and then we cut farther down in stages, creating a short set of stairs here. Unfortunately, we didn’t find a foundation deposit so we still don’t know what god this temple was dedicated to and we still have no written word from anywhere in the site. Of course, there is some packing material left beneath the western most portion of the threshold since we left a bit as part of the staircase. It would be quite frustrating if there was a foundation deposit right in that small area we left.

The stair cut was quick going after the threshold block had come up. There were no finds at all here, though, most of the material beneath was the clean packing laid at the time of founding the temple. After the stairs were cut, I moved the workers up to Op 42 to complete work there. I wanted to get down to a large ash layer visible in the old Op 42 baulk and we only had one more day where we’d have a full crew of workers. Most of our students and supervisors were scheduled to leave on the 30th and so we would need a travel day on the 29th and would have to close the dig completely by the 28th. But in fact, Michael and I would have to speak with the officials in Damascus before we left and we wanted to be there on the 28th for a meeting in which we would turn in our preliminary report, pay the site guard and inspector’s salary, and other administrative duties that had to be taken care of. So we would probably close the site on the 27th. That still left 25 with workers and 26 with just us on the tell completing section drawings, trench photos, and final documentation.

I spent much of my time examining the overall temple cut. Making sense of the layers here had been one of my primary goals of the season and now I finally had the exposure I needed. Naturally we had paid attention to the layers as we cut down through them, separating lots whenever a change in soil was noted, but now I could look still more closely at those changes in a vertical section and try to understand what was going on.

In the far north was the set of burned layers that made up Locus 321. These often made U shapes, pushed up against something on both sides. Above them, however, were layers of harder material, brick-like and clay. These layers sloped down to the south, severely in some cases, and ended against more brick fall in the middle of the cut. This was also where the curved plaster lines were noted in the floor. Something was definitely here. Individual bricks, though, were hard to make out. Some were clear enough near the ash layers, and these slumped inward, falling into the ash in places but making an overall dome of sorts surrounding the ash. To the south, layers flattened out somewhat and in the far south, near the doorway, bricks were much clearer and I was able to follow them in their laid format. Here had probably been a wall originally, but most of it was not in the unit, only in the SW corner. North of that, there were bricks but in good placement. This was wall fall and when it fell it probably landed atop and against the domed structure in the north.

Michael and I spent the afternoon discussing what it could all mean. We looked carefully at the stratigraphy and the scale drawing I’d made of it all, spraying a mist of water on the wall to bring out the differences in color and texture more clearly. We knew there were three floors in the south and central areas, all covered with ash, heavy in places. The highest floor ended against the curved plaster lines and these were probably part of the outside of the domed feature in the north. It was a long way from the curve to the ash, however, (about 2 meters) and the ash seemed to be the center of the dome. Indeed, we deduced it could only be a very large oven.

Domed ovens are still common in the Middle East. They are used to bake bread and cook other foodstuffs. In fact, the word for such an oven is tanoor and we use this word for most burning/cooking features. But some tanoors are quite large, and often are found in courtyards (due to the smoke they create, they are not often inside buildings). Could this northern area have been an exterior space in the mid-third millennium? After the walls nearby collapsed, the whole area was leveled and packed down to put a small version of the temple atop. Inside this temple, pits were dug (for the storage of grain?) Then, with the second floor of the temple, walls were expanded to the north and a good deal of rebuilding occurred. Finally, the third floor of the temple was put down, covering the pits completely and this final version burned around 2150BC.

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Re: Book sale paypal payments...

  • Jul. 23rd, 2008 at 8:22 AM
Guys, when you send money, you really do need to put your identifying information and what book/s you ordered in the comment field, or (unless I can figure it out from the amount) I have no way of knowing who you are!!!

[links] Link salad for a hump day

  • Jul. 23rd, 2008 at 4:18 AM

Jonathan Strahan comments passim on Green and Escapement Powell's | Amazon ] — He asks a question I’ve wondered about myself. Also, bonus kenscholes mentioned.

“Mind Meld” from SF Signal on worldbuilding — In which I was invited to play.

will-couvillier with news about the return of James Gunn’s online writing workshop — Go check it out.

Mary Robinette Kowal builds me a new colon — She has the technology. She will make me stronger than I was before.

Cake Wrecks — Hahahahahah. (Thanks to danjite.)

APOD with another astonishing image of Martian terrain — The post is titled “High Cliffs Surrounding Echus Chasma on Mars.” I want to put a city in that crater.

Global Warming distortion from the right wing noise machine — An overview at Cocktail Party Physics (Hat tip to Bad Astronomy Blog, which has been on a roll lately.)

The US Military’s sleep reduction program — (Hat tip to Freakonomics.)


7/23/08
Time in saddle: n/a (20 minute walk instead)
Last night’s weigh-out: n/a
This morning’s weigh-in: n/a
Currently reading: Green by Jay Lake

Originally published at jlake.com. You can comment here or there.

Last night I dreamt that ericjamesstone and I were hanging out. (Which would be fun if it happened IRL.) We’d had lunch and gone walking in a greenspace on a college campus, talking politics. He went to his car to get something, and I was mugged by a drunk homeless guy and his dog while Eric was gone. I was mortally afraid this idiot would punch me in the gut, where my surgical seam is, so I ran into a classroom building, where I met Vonda McIntyre. Moments later I was in a seminar room full of Pacific Northwest writers — brendacooper, Jim Fiscus, Jerry Oltion, a bunch of other folks. I’d been scheduled to moderate a panel on shared world building, and was utterly unprepared, and even unaware.

Is this the writer equivalent of the college anxiety dream about having to take the final exam for the class you thought you’d dropped before the semester started? I woke up laughing at myself.

Originally published at jlake.com. You can comment here or there.

So yeah.

  • Jul. 22nd, 2008 at 9:53 PM
I have been working like a dog lately, and too stressed about this stupid project to even begin to talk about it, but luckily I have the most wonderful, helpful person ever coming in to help me with my sales meeting preparations this week. Yesterday she had to listen to me wrangle with the Difficult Situation, but I hope today was less horrible as far as the stream of Talking To coming out of my office. It was bad enough that the vendor called my boss's boss, crying, to get him to get me to relent. Which is its own kind of horrifying, but at least I know I was heard. And understood. And at least partially placated for the enormous fucking-over I've received at this vendor's hands.

It's been hard, people. Making vendors cry is not on my list of favorite things. But sometimes you have to.

So tonight I decided to go to writing time, to just sit and write and work on new writing and listen to Jonatha Brooke and enjoy random bits of conversation here and there when i was willing to pry the earbuds out and participate. I came home to give someone a ride somewhere, only to find out that I didn't have to do that because great big plans are being hatched in my living room. Yes, that's right. Plans. There is a dancestravaganza taking shape out there.

Youngest and four of her friends went around to each other's houses and assembled "dance outfits." They are working out choreography to "When I Grow Up" by the Pussycat Dolls. They plan to video it. I really don't know what to think, other than, my god these girls are such virgins. But that's a good thing, right?

The outfits are pretty hilarious. Youngest came in wearing gold lame shorts over black leggings and a black tube top. She rifled through my bra drawer and pulled out a leopard print item, what those of us in the industry call a "date bra." Her jaw dropped. "Mom, you rule." She has it on OVER the tube top.

I told them to knock it off by 11. 

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twitter must be a fragile beast

  • Jul. 22nd, 2008 at 10:09 PM
it sure is down for "planned maintenance" a lot.

Not that I check regularly, or anything like that.

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(subject line shamelessly stolen from Cory Doctorow's book title)

Got a submission back from Ideomancer today. They said they see a lot of stories in the vein of my story, and I'm not surprised by that statement. But back out the story goes!

Also, sending a new one to Asimov's tomorrow after revising it today. Once that happens I'll be back at 14 submissions active. Need to crank that number up some more, I do.

Now, it's off to revise another one in prep for sending it out.

And the Great Wheel turns on.

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